The opening weekend for Willoughby Theatre Company’s Singin’ in the Rain at The
Concourse shows us why this production is not to be missed. This classic transports us back
to a simpler time, when silent films were all the rage. The glitz and glamour of 1920s
Hollywood is on full display and offers younger theatregoers a glimpse into what it was like
when the first “talking pictures”, or “talkies”, were released. The production was emboldened by a stellar ensemble cast which graced the audience with high-energy numbers all throughout. Director and Co-Choreographer Declan Moore executed his vision meticulously as the show exhibited a cohesive world, with smoothly flowing scenes padded with crisp transitions.
Production Designer Neil Shotter and the design teams developed a marvellous set
complete with intricate curtain work, stunningly accurate costuming, and unmissable
waterworks. The separation of the main stage and a small strip segmented by drawn
curtains gave an intimate feel that drew the audience’s attention to the evolving relationships
of the leading characters. The music, led by Music Director Jeremy Curtin, was faultless at every turn. The ensemble sang with a captivating blend of vibrant energy and nostalgic charm. The iconic score brought to life the golden age of Hollywood, with each song expertly arranged to
complement the spirited orchestra.
The leading man Don Lockwood played by Matthew de Merrick had strong stage presence
that never failed to draw the eye, and great vocals to match. His chemistry with his fellow
leads effectively communicated the characters’ friendship and their journeys that propelled
the story. Lockwood was accompanied by his sidekick, Cosmo Brown (Jerome Studdy), who was an absolute standout from the cast. Studdy had a lively, infectious energy that could not be
matched. This was evident for every second he was on stage from the dances to his
interactions with his fellow cast members. He is clearly made for this role.
Kathy Selden (Taryn-Lea Bright) was a grounded and captivating leading lady to perfectly
compliment the ever-popular and highly-esteemed movie star that is Lockwood. Bright
brought dynamics to the role, with immaculate and warm vocals to match. Bright had not
only the character of Lockwood but also the audience falling in love with her.
Lina Lamont (Nikole Music) delivered exactly what you’d want from a blockbuster film star.
Music provided aptly timed comedic relief. I wanted to hate Lamont, but her naivety had a
certain charm that was impossible to resist. This well-balanced dichotomy saw her shine as
an antagonist.
Another stand-out was Roscoe Dexter (Samuel Dobb), the film director who embodied the
wackiness and eccentricity that we could only expect from this ridiculous character. With the
right amount of silliness and comedic timing, it made us look forward to seeing him in every
scene. Dobb knew how to make every line count and delivered each with gusto.
Other standout supporting characters included R.F. Simpson (Lachlan Leighton) that
conveyed the big boss with gravitas, and Miss Dinsmore (Melissa Glinn) graced us with
her unforgettable (and hilarious) mastery of mouth shapes.
The dance numbers were executed with precision by the impressive ensemble, I
was delighted at how well they utilised every inch of the stage. Massive props to co-
choreographers Declan Moore and Amy Curtin on these highly engaging numbers!
Overall, this production was highly entertaining and fun. Evidently, it all came from all the
hard work from everyone. I recommend this show to anyone of all ages and lovers of
timeless classics.
Singin’ in the Rain runs until 27th October at The Concourse Theatre, Chatswood
Photos credit to Grant Leslie
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